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Oscar Ballots Are Live As Voting Starts, But Is Anybody Watching? – Notes On The Season – Deadline

A column chronicling occasions and conversations on the awards circuit

Voting for nominations for the 93rd annual Academy Awards lastly begins right now. And you thought this present day would by no means come, proper?

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In the longest season within the fashionable historical past of Oscar campaigning, now we have now accomplished six months because the conventional begin of the season with the autumn movie festivals at Venice/Toronto/Telluride — nonetheless non-traditional these early September pandemic-affected festivals themselves turned out to be. But with Covid nonetheless on the free, these Oscars are going to be very completely different and aren’t even happening till their newest date ever, Sunday April 25, on the Dolby Theatre and “other locations” to be introduced later based on the Academy.

That means eight months for contenders endlessly speaking about their wares as a substitute of the same old six, which is an actual lengthy haul in and of itself. Oy. At the top of the season during which he finally took the Best Actor Oscar, Gary Oldman wearily informed me, “I just want my life back.” Indeed.

Actually in a traditional yr, and the best way it had initially been dated, we might have been executed with this factor by now. The Oscars would have already occurred final Sunday and I might transfer on to the Emmys, however as a substitute the Movie Academy gave up that date fearing it might be too early on this setting and that ready till properly into spring the potential of a reasonably regular ceremony may be attainable. NOT! Instead, the Golden Globes took the Academy’s unique February 28 date, and, properly, you understand what occurred with all that. No must rehash right here.

Now with the sport actually heating up, the trade is within the groove they usually can be in January. The guilds are all in voting mode, with WGA already transferring on to the finals, and PGA and DGA, in addition to BAFTA, asserting their nominees at first of subsequent week. This Sunday now we have the subsequent huge televised awards present, the Critics Choice Awards, on the CW.  That voting continues to be occurring right now and the group typically appears to reflect the eventual Oscar consequence. We will see what occurs there, although I heard from one awards advisor yesterday passionately asking me to contemplate his promising contender, and saying he was calling each one of many 400-plus members of Critics Choice to remind them it’s on the poll and a win could possibly be a lightning rod for the movie. Apparently I used to be Number 52. It’s getting intense, eh?

HAVE OSCAR VOTERS ACTUALLY WATCHED THESE MOVIES?


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AMPAS

Meanwhile, there are greater questions on simply how engaged AMPAS voters are this yr. Many we discuss with, or have information from others who’re speaking with their fellow members, are indicating a major variety of the 9,362 eligible voters simply haven’t seen all that a lot but, even with a digital screening room accessible to them with some 223 of the 366 films making use of to be Best Picture (the place as beforehand reported right here they have to pay $12,500 minimal to be on the location) which have met the Academy’s relaxed guidelines throughout this prolonged 14-month contest. Take it with a grain of salt when you’ve an all-inclusive checklist with such titles as Horse Girl, The Real Exorcist, and We Are Little Zombies — not precisely Oscar worthy I’d guess, however possibly that’s simply me. Nevertheless that may be a fairly huge quantity, however daunting once you scroll by means of the checklist and uncover you not solely haven’t seen most of them, however that you simply haven’t even heard of most of them. One voter was clearly pissed off (“too many titles, too many issues navigating the app, and so forth.) to the purpose of feeling they only can’t vote this yr. And that’s not an remoted remark that I’ve heard.

Carey Mulligan in 'Promising Young Woman'
Focus Features

A veteran Producers Branch member, previous government producer of a Best Picture winner, expressed the identical ideas: “It’s overwhelming, just too many choices, too many distractions at home, etc.” He indicated that when he sits down to observe a contender he finds as a substitute he turns into riveted to the information, or an older movie that pops up on his TV and by no means will get to the movie he felt he ought to watch as an Academy voter. He’s seen The Trial of the Chicago 7, is attempting to get to Promising Young Woman and extra, however is means behind. And this in a yr once we are largely confined to house. The voter says going out to a screening, appointment viewing, was rather more urgent and efficient in previous years. A key Oscar advisor is predicting the bottom turnout in years, not less than for Phase One voting that begins right now.

Imagine subsequent yr when not even DVD screeners can be allowed for AMPAS members.  Maybe for this reason one member informed me she acquired a private name from an AMPAS staffer this morning reminding her voting was open after which occurring about how necessary it was. This is following up on a number of emails since February 25 reminding voters their time was narrowing to observe the films, together with one yesterday warning, “You have only a couple of days to finish watching the films,” in addition to yet one more right now. Good luck with that.

THE BATTLE FOR BEST PICTURE

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Via @TomCruise on Twitter

Interestingly, the film that made the most important splash earlier this yr, Warner Bros’ Tenet from main theatrical exhibition advocate Christopher Nolan, shortlisted in Music and Special Visual Effects classes to this point, has been conspicuous by its absence on the AMPAS web site, or within the pile of DVDs Warners despatched for different films it’s vigorously campaigning like Judas and the Black Messiah, The Little Things and The Way Back. Maybe Nolan is holding out for AMPAS members to nonetheless see it in a theater, like I did when Orange County Imax screens had been nonetheless open a couple of months in the past. The film is lastly opening within the huge codecs in New York City right now, so possibly some voters can trek to a multiplex, closed for a stable yr within the Big Apple, and see it the best way it was meant to be seen. It is properly value it.

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Not that it’ll doubtless matter: This Oscar race has clearly been laid out for voters for fairly some time. All it’s a must to do is have a look at the incessant advertisements proclaiming “BEST PICTURE OF THE YEAR.” It appears each film has a kind of quotes (properly possibly not Horse Girl however…). The New York Times proclaims BEST PICTURE for Borat Subsequent Moviefilm. Awards Daily has it for Mank. US Weekly says it’s Promising Young Woman. Rolling Stone disagrees, it’s Never Rarely Sometimes Always. Collider says Da 5 Bloods in these Netflix advertisements. Deadline is even featured in advertisements for The Trial of the Chicago 7 loudly trumpeting BEST PICTURE OF THE YEAR. It appears each movie on the market although has been capable of name themselves that together with Nomadland, Soul, One Night In Miami, Minari, News of the World and on and on. Even with the aforementioned Nomadland sucking up a lot of the oxygen on the critics circuit, this looks like a reasonably fluid race to this point.

STAR SUPPORT

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Netflix

A longtime widespread marketing campaign tactic is to get endorsements in any means attainable from outstanding Academy members. Or get them to “host” a screening (not straightforward on this digital season) and even reasonable a Q&A — like Cher did this week for her Mamma Mia! granddaughter Amanda Seyfried, a presumed frontrunner for Supporting Actress who noticed her warmth cool when SAG snubbed her and he or she misplaced the Globe to shock upstart Jodie Foster. So, it’s Cher to the rescue to verify a well-deserved supporting nomination for Seyfried’s position in Mank as golden period star Marion Davies is again on monitor for the Oscars. A bit of endorsement from past by Davies herself additionally won’t damage.


Many others have been doing Q&A duties too, like Rob Lowe and Jay Leno on upcoming screenings for Chicago 7.  Numerous filmmakers have been providing up moderating providers for Promising Young Woman. Helen Mirren, Stephen Daldry and Todd Haynes turned as much as host screenings for Ammonite’s Kate Winslet. Cate Blanchett did the identical factor for Elisabeth Moss in Shirley. Ben Affleck confirmed up for Kevin MacDonald for The Mauritanian, whereas Matt Damon moderated a screening with Affleck for the latter’s The Way Back. The checklist this yr is unending. Oprah Winfrey is doing an FYC for Ma Rainey’s Viola Davis this weekend, and beforehand had executed one for The United States Vs. Billie Holliday. Former President Barack Obama has even acquired into the act interviewing filmmakers of the shortlisted documentary Crip Camp, which his manufacturing firm Higher Ground had a hand in making.

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Pete Hammond/ Deadline

In an progressive twist on the same old in-person Q&As, PR reps for STXfilms’ The Mauritanian introduced its Golden Globe-nominated star Tahar Rahim along with an intimate group of about 25 Oscar voters simply this morning on a Zoom name I moderated to speak about making the movie. It turned out to be an effective way of participating AMPAS members and straight making them part of the dialog, and my guess based mostly on the keenness exhibited most likely will result in votes due to this completely timed occasion.

HOLLYWOOD BOWS DOWN TO SOPHIA LOREN

Sophia Loren in 'The Life Ahead'
Netflix

Penelope Cruz, Whoopi Goldberg and Billy Crystal are amongst those that have come out for 86-year-old icon Sophia Loren and her appearing return in The Life Ahead. A number of weeks in the past I reported Frank Langella provided unsolicited glowing reward for Loren in an Actor’s Side episode taping that simply ran Wednesday, and it led to a gathering the streamer arrange for the 2 veteran stars to speak to one another for a Deadline piece right now. Netflix additionally has been sending round quotes from different notables together with at least Barbra Streisand.

“Sophia was one of the first legendary movie stars I met when I first moved to California and we’ve remained friends ever since,” Streisand mentioned. “In addition to the many wonderful acting roles she’s given us, I’ve always been impressed by how she’s remained so true to herself, keeping her values intact as an artist and as a mother. It’s wonderful how she and her son had a chance to work together on this film. Although she’s long been recognized for her great beauty, Sophia made a brave choice with The Life Ahead where she’s seen in a less glamorous role, but one where her inner beauty still shines through.”

My favourite needs to be Vanessa Redgrave who merely affords, “La Signora Assoluta makes us all go boom-di-di boom di-di- boom boom boom!” For your consideration di-di growth!

IS WILL FERRELL GOING TO BE SINGING AT THE OSCARS?

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Netflix by way of YouTube

Incidentally, Loren simply gained the AARP Best Actress award yesterday over stiff competitors, and that got here only a day earlier than her fellow Academy members begin filling out their ballots — the good majority of them definitely ripe additionally for AARP membership standing. The awards circuit is all about providing up digital editions of kudos handouts as a substitute of the same old liquor-heavy banquets. This week, the second annual Society of Composers and Lyricists had its second annual awards present — this time just about. I went to the primary one final yr and it was a lot of enjoyable, additionally clearly an Oscar indicator proper out of the gate since most of the SCL membership crosses over with the Academy’s Music Branch which at the moment are within the means of nominating 5 finalists for each Best Original Music Score and Best Song.

If they comply with SCL then it’s excellent news for Will Ferrell followers because the track he croons in Eurovision Song Contest: The Story of Fire Saga, “Husavik My Home Town,” took high honors for Best Song, whereas Disney/Pixar’s Soul took the Score prize for a studio movie; that, on high of its Globes win final weekend, makes it a transparent frontrunner. And an enormous shout-out to Lolita Ritmanis whose beautiful symphonic rating for the Latvian International Film entry Blizzard of Souls took SCL honors for Best Score from an impartial movie. She is the one feminine composer shortlisted for the Oscar Original Score award this yr, the identical class gained final yr at each SCL and the Oscars by Hildur Guðnadóttir for Joker, repping a historic feminine win there within the male-dominated Oscar class.

FINAL DRAFT WRITES A SCENARIO FOR AWARDS SEASON


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Also this week was certainly one of my favourite precursor ceremonies, the Final Draft Awards, which supply properly deserved honors for writers in each TV and films as chosen by the board of Final Draft, the screenwriting software program that has such an influence for individuals who pursue that profession. And shout-out to the group for engaging in all of it in a good and entertaining 45-minute digital presentation together with presenter and winner acceptance speeches.

Winners included Storyteller for TV to Steve McQueen for Amazon’s Small Axe, and for films Sofia Coppola for Apple’s On the Rocks. The New Voice award for TV went to Ramy’s Ramy Youssef, and New Voice for Film went to Rahda Blank for Netflix’s The Forty Year Old Version. All made inspiring speeches, and longtime Coppola pal and legendary screenwriter Paul Schrader had an particularly memorable introduction for Coppola in presenting her award. Interestingly, all of the winners got here from streamers this yr, an indication of the occasions. And that additionally included the most important honor of the occasion, the first-ever Zeitgeist Award honoring “a writer whose work speaks powerfully to the culture and what’s going on in the world right now.”  Aaron Sorkin took it (his second profession honor from Final Draft) for the Netflix/Paramount movie The Trial of the Chicago 7, a film that definitely has hit the “zeitgeist” in uncannily mirroring the issues threatening our democracy now some 50 years after the true occasions of his movie came about.

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His speech echoed that. “This is the first Zeitgeist Award, but I think it would be fraudulent for me to take full credit for being in touch with the zeitgeist. Since  The Trial of the Chicago 7 was released I’ve been asked many times if I changed the film to mirror events in our country and I did not. The events in our country changed to mirror the film. We thought the film was pretty relevant when we were making it last winter and we didn’t need it to get more relevant, but it did.  Protesters in Minneapolis, Portland, Kenosha, Washington D.C., were met with riot clubs and tear gas and then, incredibly on January 6th, the President of the United States did exactly what the Chicago 7 were on trial for doing. I always wanted The Trial of the Chicago 7 to be about today and not 1968, I just had no idea how much about today it would end up being. The zeitgeist crashed into us. Thank you again to everyone at Final Draft for the terrific recognition,” Sorkin mentioned.

Actually proving that his movie has drifted out of the leisure pages and reveals and into the true world of stories: Just final night time, he and certainly one of his stars, Sasha Baron Cohen, appeared with Lawrence O’Donnell on his MSNBC present The Last Word during which they talked in regards to the rising relevance of it on a day the FBI and safety businesses had warned about extremist teams planning one other assault and riot on the U.S. Capitol.

HAVING ANOTHER ROUND WITH MADS MIKKELSEN

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Samuel Goldwyn Films

Finally, it was my pleasure to lately discuss with the good Danish actor Mads Mikkelsen, the worldwide star who’s getting some awards buzz for Another Round, Denmark’s official shortlisted entry for Best International Film. The film chronicles 4 highschool academics who determine to experiment and discover out if a principle of getting a relentless degree of alcohol in your blood is absolutely good for you. The movie appears a cinch to land one of many 5 International Film nominations, and lately swept the European Film Awards together with a Best Actor prize for Mikkelsen. It represents a reteaming for the actor with director Thomas Vinterberg after their earlier collaboration, 2012’s The Hunt, introduced Mikkelsen the Best Actor prize at Cannes. This movie was scheduled to debut at Cannes as properly, however everyone knows what occurred with that competition due to Covid, so as a substitute it hit the autumn fest circuit and immediately gained reward.

Mikkelsen himself is a long-shot contender to land a Best Actor nomination which might be his first, however don’t depend him out. Remember when Oscar winner Marion Cotillard pulled off one other surprising nomination in 2015 for Belgium’s under-the-radar Two Days, One Night? The Academy’s sturdy international push for brand new members since then has made international language performances much more attainable, and Mikkelsen is overdue for recognition. Certainly he’s no stranger to Hollywood having starred in quite a few profitable franchises together with the Bond movie Casino Royale, Star Wars: Rogue One, Marvel’s Doctor Strange, and as Hannibal Lecter within the NBC TV collection Hannibal.

When I lately caught up with him in London he was capturing yet one more huge franchise title after becoming a member of the forged of the third Fantastic Beasts movie when Johnny Depp dropped out. Another Round represents the fourth Danish movie he has starred in to turn out to be the nation’s official entry, and all three had been nominated.


Mads Mikkelsen in 'Another Round'
Samuel Goldwyn Films

“Yeah. I’m not the lucky charm, and they all lost. So, let the fourth be the charm,” he laughed after I introduced it up. “Yeah. I’ve tried it a few times, and it’s been super exciting, and I was there all three times. Unfortunately, this year, not, if we get that far, but that might just be the lucky part of it. That we stay away, and we will go all the way. We’re very humbled, and we are so pleased that the world has embraced this film because it’s obviously, on the surface, it’s a very Danish film, but it seems to appeal to a lot of different cultures and nations as well.”

In phrases of the distinctive storyline, he says he doesn’t wish to infer the movie truly encourages ingesting, simply that it’s fairly completely different in citing one other facet of it. “We all know the dangers of drinking, but at the same time, we didn’t want to be moralizing of the film. There actually have been a lot of films that have told us what the dangers are, and they’ve been beautiful, a lot of them, but we didn’t want to go down in that rabbit hole. We wanted to also praise it. Wanted to see both sides of the coin, and as all good films, the theme of alcohol is just the kick-starter to tell the story about life, and I think that’s what’s appealing to the rest of the world as well,” he mentioned.

But was he nervous about this movie popping out in the midst of a pandemic, the place truly many individuals have turned to the bottle for numerous causes? “The pandemic, obviously, came as a surprise. We shot the film and the country shut down, the world shut down, and once it finally came out, we were a little nervous for a lot of reasons,” Mikkelsen says. “One of them was the pandemic, and also, obviously, the theme and how we are luring youngsters in to use it as a means to get past your nerves, and we would, like, wind up in a backlash, right, because was it provoking what we saw in these youngsters, you know, dancing and kissing each other. Drinking from the same bottle. But it had the exact opposite reaction. It turned out that nobody was really interested in watching a film about the Covid situation. They wanted to see the film about how life used to be just half a year ago, right? So, that was lucky, but we were a little nervous about it.”

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Samuel Goldwyn Films

For Mikkelsen, the ingesting elements will not be what the film is absolutely all about.  “Well, I think it’s a film about embracing life. What troubled me mostly for my character, he’s a man who finds who finds himself standing on the platform, and the train has left him. It’s not something he’s completely aware of, but in a very early scene, I think, 10 minutes into the film, it dawns on him at a dinner party, and he feels pity for himself. He has a smaller breakdown, which is kind of a brave move to do after 10 minutes, and he realizes that, no, he’s not accomplished anything in his past, and he’s just jealous of the future. He simply forgot to live in the present, and I think there is a moral. I think the film is technically about that. Embrace your present, rediscover your family, your life, your job. See what you got. Life is not that bad,” he mentioned.

Life has not been unhealthy in any respect for Mikkelsen. If the Oscar gods in some way smile down on him, and Another Round, come March 15, life could even get a little bit higher.



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